Bengali Patachitra: The Vibrant World of Folk Art

                                                  The forgotten art of Mithila, Bihar

Sankesha Borde
Sankesha Borde
Indian folklore about Durga maa in Pattachitra Painting famous from Bengal
Indian folklore about Durga maa in Pattachitra Painting famous from Bengal

                                                      About Indian Folk Art from India

Introduction

Bengali Patachitra, a traditional form of scroll painting hailing from the eastern Indian state of West Bengal, is a captivating world of art that tells stories, legends, and myths through vibrant visuals. Patachitra, derived from the Bengali words “pata” (cloth or canvas) and “Chitra” (picture), is an art form deeply rooted in the cultural heritage of Bengal. In this blog, we will take a colourful journey into the fascinating world of Bengali Patachitra, exploring its history, techniques, themes, and cultural significance.

A Glimpse into History

Bengali Patachitra has a long and storied history that dates back several centuries. Its origins can be traced to the traditional scroll paintings made by wandering minstrels or Patuas, who traveled from village to village narrating stories from Hindu epics, folklore, and mythology. These itinerant artists would unfurl their scrolls and sing songs, known as “Pater Gaan,” to accompany their visual storytelling.

 

Techniques and Materials

Canvas Preparation: The canvas for Patachitra is typically made from untreated fabric, such as cotton or tussar silk. It is coated with a mixture of chalk and tamarind seed paste to create a smooth surface for painting.

Painting: Patachitra artists use natural pigments derived from minerals, plants, and stones to create their artwork. Colors like yellow (from turmeric), red (from vermilion), and black (from lamp soot) dominate these paintings. Intricate details and fine lines are achieved using brushes made from animal hair.

Themes and Motifs: Bengali Patachitra paintings predominantly depict episodes from Hindu mythology and folklore. Stories of gods and goddesses, especially Krishna and Radha, are popular subjects. Scenes from the Ramayana, Mahabharata, and Puranic tales also find their way into Patachitra.

 

The Symbolism in Patachitra

Bengali Patachitra paintings are not just colorful images; they are laden with symbolism and cultural significance:

  • Narrative Flow: The paintings are often arranged sequentially to tell a story, starting from the top left corner and continuing to the right. This layout allows for a visually cohesive narrative.

 

  • Use of Iconography: Specific symbols and iconography are used to represent different characters and emotions. For example, a peacock feather and flute symbolize Lord Krishna.

 

  • Traditional Techniques: The use of natural pigments and traditional brushwork connects Patachitra to its rich historical roots and the cultural practices of rural Bengal.

Cultural Significance

Bengali Patachitra plays a vital role in preserving and promoting the cultural heritage of West Bengal. These paintings are not just artworks; they are a living tradition passed down through generations. Patachitra artists often come from families with a deep connection to this art form, and they continue to create these stunning scrolls as a means of livelihood.

Furthermore, Patachitra has gained international recognition and appreciation for its unique style and storytelling abilities. It has been showcased in art galleries and exhibitions worldwide, helping to bring the beauty of Bengali folk art to a global audience.

Bengali Patachitra is a testament to the enduring power of traditional art forms. Its vibrant colors, intricate detailing, and rich narratives continue to captivate both art enthusiasts and cultural historians alike. This ancient form of storytelling through art not only preserves the stories of Hindu mythology but also serves as a window into the cultural richness of Bengal. In a world of rapidly changing artistic trends, Bengali Patachitra remains a timeless treasure waiting to be explored and cherished.

The tradition which stayed, The Tradition which  kept flowing from village to Village with the efforts of Patuas or Chitrakar

Making the Bengal special art form its signature for the folklore to spread the art had to stick with time

Leave a Reply

Your email address will not be published. Required fields are marked *

Art an underrated investment for the future
Value Beyond Beauty . Why Art Buying Can Be a Smart Investment in 2024:

In a world of fluctuating markets and economic uncertainty, many are looking for alternative assets to diversify their portfolios. While traditional investments like stocks and bonds have their place, savvy investors are increasingly turning to the world of art. But is art buying a good investment in 2024? Let’s explore some compelling reasons why it might be.

Read More »
Hyderabadi Ittar or Attar
Perfumes of Hyderabad

The perfume industry in Hyderabad dates back to the 16th century when the city was ruled by the Qutb Shahi dynasty. The rulers were known for their love for perfumes, and they encouraged the production of fragrances in the city. The city’s location on the Deccan plateau, which is rich in natural resources such as sandalwood, rose, jasmine, and other flowers, made it an ideal place for the production of perfumes.

Read More »
Pichhavai from the Temple of Nathdvara, Rajasthan. Krishana with gopis.
Pichwai Paintings

Pichwai paintings are typically large-scale works of art that depict the life and legends of Lord Krishna, particularly his childhood and early adult life. Pichwai art is still practiced today by a small number of artists and artisans, particularly in the town of Nathdwara, Rajasthan. Many of these artists come from families with a long tradition of creating Pichwai paintings and have been trained in the art form from a young age.

Read More »
en_USEnglish